8 (425) 01.08.2018 - 31.08.2018

-ʲ ̲Ͳޭ
ӭ ŭۭʲ ˲ ŭ ǭ˲ Эʲ ( Э ) ˲ ݭԲ׭ ѭ֭.

­­­ ­ ̨­ ­, ­­ ­, ­ , ­ ˲­­, ­­ ­­, ²­ ˲, ­ ­Ͳ­­, ­ . ­­, ­­ ­ ­­­ ­ ­­ ­, ʲ ­ ­­ ­­­˲ , ­˲­ ­­Ͳ ­­­­̲ ­­ ­­­ʲ ­. ­ ̲­­ ­ʲ, ­ ­, ̲­­ ­ʲ, ­Ͳ­­ Ͳ­­, ­­, ̲­­ ­­Ͳ­. ­­­­ ­­ ­­­­ֲ ­­­Բ­­ ­­ ­­­­ ­ ­Ρ­ʲ - ­ ̲­­­ ­­­ ­­­­۲ WRITING MOVEMENT NETWORK.

­­­­ ­

 

Writing Movement Network — ­­, ­ ­­ ­­­ ­, ­­, ­­­, ­­­ ­­ ­ⳳ, ­, ­, , ­­­, Գ­­, ­, ­. ­ ­ — ­­ ­­ ­­­ ­­­­­ ­­, ­­­­ ­­­­ ­­ ­ ­­­­­ ­­ ­ ­­­­, ­­­­, ­­­­ ­­-­­­ ­­. ­ ­­ ­ ­­ ­­­ ­­­ ­­­ — ­­­, ­­­, ­­­, ­, ­­­­, ­­ ­­ ­­, ­­.

 

Ѹ­­ ­­­­ ­ ­­­ ­­ ­­ «­­­­­ ­», ­­­­ ­­ ­­­ ­ ­­­­ ­­ ­­ ­­ ­. ­­­­ ­­ «­ ­» ­­ -, ­­­­ ­­ ­ 1960- ­ ­ ­­­­­ ­­ ­­ ­­­ ­­­­­ ­­ — ­ ­­. ­­­ ­­ ­­­­ ­­ ­-­, ­­­, ­­­ ­ ­­­­ ­­, ­ ­­­ ­­, ­­, ­­ ­­ ­­, ­­, ­­ ­­­ ­­ ­­­ ­­ ­ ­­­ ­ - ͳ­­ ­­ (­­­ ­­­­ ­ ­­­ ­ ­ ­­­ ­).

 

­ ­­­ ­­­­? ­­ ­­­ ­­­ ­ ­­ ­­ ­­ «­­­­­ ­»: ­­­­ ­­­­­ ­­­ ­­ ­; ­­ ­ ­­­­ ­­ ­, ­ ­­­ ­­, ­­ ­­­­­ ­­­ (­ ­­­ ­­­); ­­ ­ ­­, ­­­­ ­­ ­­­­; ­­­ ­­­ ­, ­­­ ­­­ ­­­ ­ ­­, ­­­­, ­­­­, ­ ­­; ­­­ ­­­ ­, ­ ­­ ­­ ­.

 

­­ ­­­ ­ ­ ­ ­­­­­ ­­ ­ XIX—XX ­­. , ­­­ «­­­» ­­ ­ ­­­ «­­­ ­­», «­­ ­­­­ ­». ­­­­, ­­­­-­­­ ­ ­­ ­ ­­­­­­ ­ ­­­ ­­­ ­­­ ­­. ­ , ­ ­­­ ­­­­ ­­ ­­­ ­ ­­­­ ­­ ­­­­ ­­­, ­­­ ­­­­ ­­ ­ ­ ­ ­­­ (­­ ­­ ­­ ­­ ­­­­ ­­­ .). ­­­ ­­, «­­­­­» : ­ ­ ­ ­­­. ­ ­ ­­­, ­ ­­ ­­­­ ­­ ­ ­­­ ­­ ­ ­­ ­­.

 

­ «­­­­­ ­» ­ ­­­ ­ ­, ­­­­­Ⳣ­ ­­­­ ­­ ­­­­ ­­ ’­ ­ ­­ ­­­­­ ­­­, ­­ ­­ ­­­ ­, ­ ­ ­ ­. «­ ­­ ­­­­ ­­­ ­ ­», — ­­­ ­ ­ ³­ ­­ ­ ­­­­ ­­. ­ ­ ­­­­­ ­ ’­ ­­ ­­­ ­, ­ ­ ­­­­ ­ ­­­ ­­, ­. «­ ­ ­­ ­ ­ ­ ­­ ­ ­­­ , ­ ­­ ­­ ­­­­ ­ ­­, ­ ­ ­­ ­ ­­ ­­», — ­ ­ .

 

­ ­­­, ­­ «­­­­ ­­» ­­ ­­ 1960- ­ ­ ­­, ­­ ­­­­ ­­­ ­­­ ­­­­. ­­­ ­­­ ­­­ ­­­ ­­ ­ Judson Memorial Church, ­­­ ­­ ­ ­ ­­­. ­­­ ­ ­­­ ­­ ­ ­ ­­ ­ ­­. ­­­ ­­­ ղ ­­ ­­ ­ ­­­ ­­­ ­ ­­, 1950- ­ ­­ ­ -. ­­­ ­­ ­­ ­­­­, ­ ­­­, ­ ­, ­ ­­­­, ­­ ­­, ­­­ ­­­ ­ ­ ­ ­­­, ­­­­­­ ­­­ ­­­ ­­, ­­ ­­­­ ­­. ­­­ ­­­ ­ 6 ­­ 1962 ­ ­­ ­­­ «­ #1», ­­ ­ ­ ­­­ ­­-­. ­ ­­­ ­­ ­ ­, ­ ­, ­, ­­ , ­ ­­­, 1963 ’­­ ­­ Judson Dance Theatre. ­­­­, ­­ ­­ ­ ­, ­­. ­­ ­ : ­­ , ­, ­­ ( ­­), ­­ ­­ ( ­ ­ ­­ ­, ­­­ ­), ­, ­­­ (­­­ ­ « ­­»).

 

­ ­ ­­­ ­ ­­­ ­­ ­ ­­­­ ­­­, ­­ ­ ­, ­­ ­ ­ ­­ ­, ­­­ ’ ­ «­ ­­­» «­ ­­». ­­ ­ ­ ­­ ­­­ ­: «­ ­­ ­­ ­­ ­­ ­­, ­ ­ ­ ­, ­ ­». ­ ­­­­ ­ ­: ­ ­­, ­­­ ­, ­­­­, ­­ — ­­­ ­ ­ ­­­ ­­. ­ ­­ ­­­­ ­ ­­ ­­ ­, ­ ­ ­: ­­ ­ ­ ­ ­­­ ­­ ­, ­­­ ­­ ­­­­ ­.

 

Ѹ­ ­­­ ­ ­­­ ­ ­­­­­ -­. ­­­ ­ ­ ­­­ «Movement Research at the Judson Church» — ­, ­ ­ ’­ ­­­ ­­ ­­ ­­­­­­ ­­­ ­­­-­­­ ­ ­ ­.

 

Movement Research — ­­­­ ­­­, ­ ­ ­­ ­­ ­­­­ ­­ ­ ­­. ­ ­ ­­ ­ ­­­­­­ ­­­­ ­­­ ­ ­ (­­­ 1978-), ­­­ ­ ­­­ ­ 14500 ­­. ­ ­­ ­ ­­: ­­­ ­­­­ ­­, ­­­ ­­­ ­­, ­ ­­ ­­ ­­ ­­, ­ «­ ­», ­­­ -­­ «Critical Correspondence», ­­­ ­­ ­­ ­­­ ­, ­ ­­­­ ­­ ­­ ­­ ­­­­­ ­­, ­­, ­­ ­­­ «Movement Research Performance Journal».

 

- ­ ­ ­­ ­­­­ ­­ ­­. ­ ­­ ­­­­ ­­ ­ ­­­­ ­­ ­ ­­­ ­. ­ ­­ ­­ ­­­ ­­.

 

­ ­­ ­­­ ­­ Gibney, ­­­­­ ­­­, ­­­ 1991- ­­ ­­­ ­­­ ­ ó­. Gibney — ­ contemporary art, ­­­­ ­­, ­­­. ­ ­ ­­ ­­ ­­­ ­­­­­ ­­ ­­­, ’­ Gibney ­­­ ­­­. ­­, ­ ­ «Community Action» ­­­ ­­ ­ ­­ 500 ­­­ ­, ­­­ ­­ . ­­ ­­­ ­­ ­­­ ­­­ ­­­, ­­­ ­­­ ­­ ­­ ­, ­ — ­­ ­ ­­­, ­­­­, ­­­­ ­­, ­­­­­, ­­ ­­, ­­ ­­­­ ­­­­ ­­ ­.

 

­ Gibney ­­ ­ ­­­ ­­ ­­. ­­ ­­ ­­­ ­ ­ ­­­ ­ 23 ­, 5 ­­ ­, ­­­ ­­-­, ­­, ­­­ ­­­­­­, ­ ­­­, ­ ­ ­ ­­­. ­ ­­­ ­­ ­­ ­­­ ­­­­ ­­­ ­­­ . ­ ­­ ­­ ­­­ ­ «Dance-mobile» — ­ ­­­ ­­ ­­ ­­­, ­-­ ­ ­; «Dance in Process» — ­­­­­ ­ ­­­ (­ Gibney ­­ 12 ­­­), ­­­ ­­­ ­­­ ­­ ­­ ­­­­, ­­ ­­­­, ­­­­­ ­­­­ ­­; «Digital Media Initiative» — ­­­­ ­­ ­­­, -­­ ­-; ­­ «Making Space+», ­­­­ ­­ ­­­-­­­, ­­­ ­­ ­­, ­­­ ­­­ ­­­ ­­­ ­ Gibney, ­­­ ­ ­­­ ­­; «Body Politic» — ­­ ­­ ­­­ ­­­ ­­-­­­ ­, ­­ ­­­­ ­­­ ­­, ­­­­, ­­­ ­­­ ­­.

 

­ ­­­

 

­­­ ­ ­­­­ ­­ ­­­ ­ ­­­­­ ­­. ­ ­­ ­­ ­­ ­­­­, ­­­ ­­­­ , ­­ ­ ­ ­. ­­ ­ ­­ ­­­ ­­­ ­­­ ­­­­ ­­: ­­ ­­ ­­­ ­ ­­ ’ ­­­­ ­ ­­, ­ ­ ­­­ ­­. ­­ ­ ­­­ ­ ­­ ’­ ­­ ­­­ ­­­­ ­­ ­­쳳 ­­ «Dance Motion USA». ­­­ 2010 ­, ­­ ­­ ­­ ­­ ­­ ­­ ­­­­ ­ ­­­­ ­­-­­ ­ ­­. ­ ­­ ­­ ­­ ­­­­­ ­, ­ ­­­ ­­, ­­ ­­ ­­­. ­­­, ­­ 20 ­­­ ­­­ ’­ ­­ , ­­ ­ ­­ ­­. ­, ­­ ­­ ­ ­­ ­­­ , ­­­­ ­­ ­­­ ­­ ­­­ ­­­­ ­­. « ­ ­­ ­­ ­ 125 000 ­ 49 ­ ­ ( 40 ­­ ­ ­­­ ­­ ­­ ­­­ ­), ­­­ ­ 700 ­­», — ­­­­ ­ «Dance Motion».

 

­­­ ­­ ­­­ ­ ­­ ­­ ­. , ­­­ ­­­­ ­­­ ­­ ­ ­­ ­ ­­ ­ ­­ ­, -­, ­ ­­­­ ­­­ ­. ­ ­, ­­­ ­ ­­­­ ­ﳢ ­­ ­­­, ­­ ­­­­ ­­. ­ ­ ­­ ­­­­ ­ , ­ ­­ ­­­, ­­­, ­­­, ­­­ ­­, ­­ ­ « ­». ­­ ­ ­­ ­­ ­ ­­ «­ ­­­»: «­­­­ ­­ ­­ ­ ­­ ­ ­­, ­, ­­­ ­ (­­­) ­­­ ­­­­ ­­­­ ­­. ­ ­­ ­ ­ ­­­, ­ ­ ­­». ­­­ ­­ ­ ­ ­­­ ­­ ­, ­­­­ ­­­­ ­­, ­­­ 2002 ­.

 

­­ ­ ­­­ ­ «­­ ­­» ­­ ­­­­ ­­­ ­­­ — ­­ ղ ­­. ­­­ ­­ ­ ­­­­­­ ­­ ­­­­ ­­­­: ­­­­ «­­­» ̳­­ ­­ (1908) ­­­ ­­­ «­­­­­ ­» ­­ ­ (1921), , ­, ­­­­ «­­ ­­­­­» ­ ­­­ (1946) ­ ­­­­­ ­­ ­ ­­­ «Landrover» (1972). ­­­ ­ ­­­ ˳ ­­, -­­­ ­­­ ­­. ­­­­ ­ ­ ­ ­ ­­­ ­­ ­­­­ ­­ ­­ — ­­ ­ ­­­ ­­­ ­­ ­­ ­­­­­ ­­. ­ ­­­ ­­ ­­­.

 

­ ­ ­ ­ ­­­ ­ ­­­ «­­­». ­­ ­­ ­­ ­­ ­­ ­­ ­­­ ­­­ ( ­ ­­­ ˳ ­­). ­ ­­­­ ­ ­­ ­­ ... ­­ ­­ ­. ­­­, ­­ ­­­ ­­ ­­ ­­­ ­­ ­­, ­­­ ­­ ­­­ ­, ­­ ­­ ­­ ­­ ­­, ­­ ­­­ ­­ ­­. ­ ­ ­ ­ ­­­ ­­­­ ­­­ ­­­­ ­­ ­­­ ­­ ­­­ ­­­ ­­­ ­­­­. ­ ­­­­ ­ -­­­ ­ ­ ­­, ­­­ ­­ ­ ­­ ­­ ­­­­ ­­­ ­­­, ­­­ ­­ ­ — ­’ ­ ­­­ ­­.

 

­ «­­­­ » ­ ­­­ ˳ ­­ ­­ ­ ­­­­ ­­. ­ ­­ ­ ­ ­­­ ­­­: ­ ­­­ ­­ ­­­ ­­ ( op. 10 12), ­­ — ­­ ­­ ­­ ( op. 8 12). ­­ ­ ­. ­­ ­, ­­­ ­­­ ­­ ­­­ ­ ­ ­­: ­­­­ ­­ ­ ­­­. ­ ­­ ­­­ ­ ­­­. ­­ ­ ­­ ­­­ ­­, ­­­ ­­ ­­, ­ ­ ­­ ­­­ ­­­ ­ ­­ ­­, ­­­ ­ ˳ — ­ ­­­­ ­­ ­­­ ­ ­. «­­ ­ ­­­ ­, ­­­ ­­ ­­ ­­», — ­ ­ ­­­­ ­ ­. ­­ ­­­­ ­­­­ ­­­ ­­­­ ­­ ­­­ ­ ­­­, ­糢­: ­­­ Merce Cunningham Trust ­ ­ , ­ ­ ­.

 

­­ ­­­­ ­­­ «­­­­­ ­» ­­ ­­ ­­ «­­», ­­­­ ­­ ­­­ ̳­­ ­. ­­ ­­ ­­ ­ ­­­­ ­, ­­­ ­­­ ­­­ ­­ ­­­­ ­­ ­­­. ­ ­­ ­­­ ­­­­ ­ ­­ ­­. ­­­­ ­­ contemporary dance ­­ ­­ ­­­ ­ «­­­­­ ­», ­­ ­ ­­­-­­­ ­­­ ­­­­ ­ ­­­ ­­­ ­ ­ ­­­­ ­­, ­­­ ­­ ­­­ ­­ ­­­ ­­­­. ­ ­ ­­­ ­ ѳ­­­, «­­ ­, ­, ­­­ ­ ­­ ­­ ­­­­­ ­ ­­». ­­ ­ ­ ­ ­­­­ ­­ ­­­ ­­, ­­­ ­­­­ ­­ ­­ ­.